STUTTER EDIT SONAR UPDATE

Moreover, it's the most stable update from Cakewalk I've enjoyed.

Understandably, it's a much more polished program given that Cakewalk spent the last two years refining the ergonomic changes introduced in X1. I have no such reservations about SONAR X2. That is why I followed my own advice and refrained from starting any new projects with looming deadlines on X1 when it was first released. With the cleaning came some purging, and many of the toolbar functions got shunted into Track View and other such places, which of course led to a lot of head-scratching for long-time users.

The legacy UI was functional, but X1 looked cleaner in a post-aughts way.

STUTTER EDIT SONAR WINDOWS

Windows looking, with an overabundance of text boxes and buttons along the top toolbar. X1 looked, operated, and felt very different from its predecessors, which were so. You are most certainly going in the right direction.SONAR X1 was a major change from the previous eight or so iterations of SONAR. All those baby steps add up really fast though. What you did sounds like yet another good method. Which is great because the learning curve on all these things was giving me a headache.There`s so many different methods you can use to glitch. It's probably baby steps for experienced people, but in 5 minutes I was able to do pretty much the entire 'Psycho Killer' schtick. This gives you a number of vanilla 'DJ' FX like spin-down, spin-up, flams, reverse, You can then use LoopMash as an FX plug-in and assign it to the same MIDI track. You can slice an audio event into hitpoints in one go and then just drag the whole thing in one step to Groove Agent and it maps the pads.Дў. I've never paid much attention to Cubase's built-in plugs, but these have a couple of advantages:ДЎ. I've been having a certain amount of instant gratification with an unlikely combo: Groove Agent One and LoopMash FX (both included in Cubase.) I just wanted to give an update for any further travellers. So in short, it keeps my brain ins the same mode I'm used to playing a keyboard. It's like working with a drum machine like PadShop or Battery or Groove Agent, but you're only loading one sample. It takes time to set up the various 'gestures' but once you do, you know exactly what will happen. StutterEdit works like an instrument you -play. It's too jarring to me to be using a DAW and then 'mind switch' to DJ just for a few bars as needed. you need a second sample to cut to.ДЄnyhoo. What is frustrating is that I wish you could use them more like a DJ with -2- decks. You program the various sequences and you have to think like working with a real deck. Glitch and all the 'sequencer' based plugs work fine if your mind works in a certain way. not within a DAW really.ДЄnother thing I realised is that most of what I want is just a bunch of grain delays mapped to various keys. GlitchBitch is fantastic, but it's strictly for live use. Molekular is also cool, but as they so often do, they get cutesy with their nomenclature rather than just using SIMPLE, STANDARD terminology. And Cubase actually has this thing 'LoopMash FX' which does a lot of the basics. It's for guys like me even though I didn't know it. I originally found SutterEdit overwhelming but the more I play with it, the more it seems like they really knew what they were doing with the concept. Where I'm at now, I'm leaning towards Stutter Edit. Like how fast you want the delay effect to be. Then on the bottom part of the plugin you can tweak the effects themselves. If you want a delay effect on the first half of the loop, just draw a bar that spans half the length of the loop on the delay line. So if you want to trigger a gate effect on the last quarter of the loop, just draw a bar that spans the last quarter of the loop on the gater line. (The top line is the random effect trigger line) and draw bars on the lines of the specific effects you want to trigger. Just remove all the bars on the top line. This is very easy to do once you understand how it works. My first step is always to remove the random effect triggers and replace them by programmed repeatable effects that I control. When you open Glitch (1 & 2), the basic preset is set to launch random effects. What I dlsliked about Glitch 1.3 was that it would do something -great- but then I could never get it to do the same thing again. I just want to automate the chopping and then experiment with repeatable glitches. I used to chop a 4 beat phrase into about 100 parts and make it sound like a broken CD player for a few seconds.

Stutter edit sonar